The images above are taken from a book on the Disney artist Peter Ellenshaw, sent to me by Neil Vessey. It shows a frame from the high camera shot of Nottingham Square in The Story of Robin Hood, before and after Ellenshaw’s magical matee work. It is a fine example of not only the huge talent of this wonderful artist, but what could be achieved before the age of computer generated imagery.Peter Ellenshaw
The images above are taken from a book on the Disney artist Peter Ellenshaw, sent to me by Neil Vessey. It shows a frame from the high camera shot of Nottingham Square in The Story of Robin Hood, before and after Ellenshaw’s magical matee work. It is a fine example of not only the huge talent of this wonderful artist, but what could be achieved before the age of computer generated imagery.
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